12.Replace ‘Arguments’ with ‘Action’
If you can clearly view the entire film, it can be segregated into two dimensions of Vinayak. The first hour delineates him involved in lots of arguments and conversations, but the post-intermission sequences are in contrast. We see Vinayak completely drenched in wild state of action. Watch him rescue his friends with gun pointed at Chettiyar. Speak when speak and stop when the ‘Action’ has to be done.